Watercolour mediums that will make you a creative artist

Creative Artistry, Water color:

Water colors have been around from time immemorial and we’ve all dabbled around with it when we were young. However, there have been radical changes in this sphere of artistry in the past few years. There are many transformations that have been included and invented to make this medium even more beautiful. These new media, if incorporated intelligently, will help you create an everlasting piece of art.

1. Granulating Media:

As the name itself suggests, this media helps to give the appearance of ‘salt in paint’. It adds a new dimension to flat images and can be used to create stunning pictures of landscapes. It may even be incorporated in portraits to give a more rugged and ethnic look. The artists must remember that the change in texture also depends on the kind of paper used to paint. A rougher canvas will exaggerate the effect of the media while a smoother finish will be provided by a paper that is smooth in itself. Artist studios san diego recommend extracting the most from this media, use only this and no water to dilute your colors.

2. Gum Arabic:

This media acts as a delayer of the drying time for your paint and thus, allows you more time to work with your imagery. It allows you to work with the colors while they are wet and improve on the glossiness. This will create an image with a higher brightness and more stark colors, lending it a quality that is breathtakingly luminous. Washes are easier to lift and the paintings are more transparent than usual. While using this product, the artist must remember that using it directly with paint will create a thick film and make the surface brittle and reduce the life of the painting. Dilute it with water beforehand and store it accordingly, or do so right before using it for your painting.

3. Lifting Preparation Medium:

This medium allows staining medium and dry color washes to easily lift from the paper using a rag or a wet brush. To use this, paint the entire paper surface with it first and let it dry completely. Once dry, paint as usual and use a wet brush to lift washes as required. It works best if the lifting is performed at least six hours after painting. There is no fear of repeated washed becoming muddy. The washed areas may be painted over or left blank. For larger areas or paintings that have a vast surface area, a wet sponge can be used in place of a brush or rag to hasten the process.

4. Permanent Masking Medium:

As the name suggests it is an irreversible process and was designed to make areas of paper water resistant. It can be either used directly over paper or painted regions. A hair dryer can be used to speed up its drying. The artist must remember to wash their brushes with warm water after using them with this media, before using them for other colors.

5. Texture Medium:

This is used to add texture to paintings and lend them a sense of depth or elevation. It adds a certain structure to an otherwise flaccid image and gives a more dynamic visual aesthetic. It is re-soluble but not completely, so a hint of the shade that was removed remains on the paper. It can be used either on a blank paper or after washed with colors.

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