CRITICALLY-acclaimed showgame The Money, which puts a group of strangers in charge of spending a pot of money in front of an audience of ‘Silent Witnesses’, is to be staged in one of the world’s most iconic buildings.
Created by Seth Honnor of Exeter-based Kaleider, The Money is a unique immersive experience – described as part game-part show - where a group of participants buy their way into the game and have one hour to jointly decide how to spend a sum of real cash.
Next month it will be played out at the Sydney Opera House as part of the Antidote Festival, a major...
Spend the money on whatever you want. Just keep within the law. ‘This deceptively simple piece is definitely on the money. It turns conversation into urgent, playful theatre.’ Lyn Gardner, THE GUARDIAN
The Money returns to Exeter for one night only. The event, created by Kaleider, launched last November at Exeter’s Guildhall and its unique premise caused quite a stir. The audience, or players, can dictate much of the action meaning the outcome can be completely different each night.
Spend the money on whatever you want. Just keep within the law.
The Money returns to Exeter for one night only.
The event, created by Kaleider, launched last November at Exeter’s Guildhall and its unique premise caused quite a stir. The audience, or players, can dictate much of the action meaning the outcome can be completely different each night.
To participate, players either become a Benefactor donating at least £10, or a Silent Witness watching as a group of Benefactors decide how to spend their collective money. Silent Witnesses can buy their way in if they...
Exeter Guildhall is the venue for Kaleider's current production, The Money, and there couldn't be a more appropriate setting.
Last night 13 "benefactors" were seated around a substantial oak table and an equal number of "silent witnesses" sat on the surrounding benches. This is a unique performance and the cast and audience are the same people. There are no roles or script, the comedy and drama are authentic and the tension is palpable.
At 7.00 exactly the participants were allowed into the vast chamber. After about 20 minutes the gothic door was shut, locked and guarded, £...